Live Art / Performance / Vis Art / 01-28 February 2022

the middle of nowhere

Tickets: Free (ticketed)


1 Feb: Billboard of Beyond Survival Expert goes up on Project Arts Centre to mark the launch of the middle of nowhere

12-8pm, Feb 4th: In person screenings of Beyond Survival

NOW - Feb 28: On demand screenings of Beyond Survival at

From 11am, Feb 12: (de-)centring the middle of nowhere, publication launch in Project Arts Centre and online - BUY NOW

6:30pm, Feb 16: inhabiting the middle of nowhere, online artist talk: Léann Herlihy in conversation with Gabriele Longega

8pm, Feb 25: to be nowhere, live performance in Project Arts Centre - This performance has been rescheduled and will now take place on Tuesday 15 March, 8pm.

Update: Léann Herlihy will be extending the availability of their website for the project and their docu-film Beyond Survival until their live performance to be nowhere is held. You will also still be able to visit their billboard Beyond Survival Expert outside the big blue building for an extended period of time.


the middle of nowhere is a series of events that will unfold throughout February. Concerned with the subjectivity of space-making, the middle of nowhere will reveal itself in a hybrid form of in-person, remote and/or mobile experiences. Working with and through spatial perspectives, the middle of nowhere resists static concepts of space. In this manner, the vortex portal of the World Wide Web will host a variation of events. More transitionary spatial experiences will be embodied through one static billboard mounted outside Project Arts Centre, as well as one mobile billboard which will emerge alongside the launch of a publication. Project Arts Centre will act as a platform for the opening and closing events of the middle of nowhere. The initial opening event will consist of a one-off film screening and subsequently, the middle of nowhere closes with a one-off live performance. 


~ ~ ~


My earliest recollections of self-identification stem not from queerness but rather from a sense of (dis)place(ment). This embodiment led me to question if space was a site of rooted and ‘authentic’ meaning. Ideals of identity as fixed in place were thus unravelled, undoing the static and dominant knowledge(s) of the self across time and space. 

Mapping out the unmappable, the middle of nowhere seeks to criticise the increasingly reductive approach of stripping space of its complexities. This insistence of laying space bare, demonstrates the broader commitments to solidifying the predictability of lives that remain emblematic of the heteronormative mould. And thus, by (de-)centring the middle of nowhere, and contesting this common spatial perspective as Other, the site emerges as a counter normative place for individuals who do not relate to the dominant trajectory of place. From a queer perspective, the middle of nowhere reveals itself as an autonomous zone of desire, across which an unknowable self is dispersed. At odds with the closet and metaphors of ‘in’ and ‘out’, you are not defined by boundaries but rather speak to your capacities. 

Situated in a natural landscape, the middle of nowhere emphasises how an alternative vision of natural phenomena can de-centre the rigid social order of racial capitalism’s prioritised dichotomy of gender and sexual binaries—a dichotomy that varies in definition from one historical and socio-cultural context to another. So, what grounds our conception of gender, sexuality and desire after nature?

Through a methodology of collaboration, the middle of nowhere actively de-centres the author and strives for multiplicity over a single queer narrative. Through this methodology, time and space become shared communal resources between an array of individuals as the parameters of ‘nowhere’ are resisted through a process of imagining how a collective might begin to live Otherwise. At its essence, the middle of nowhere is a transdisciplinary project, with a quest for building relations through which more equitable worlds can not only be imagined but sustained.


You can find the latest information about Project’s accessibility here. Please do not hesitate to contact us at or call 01 8819 613.


Production support and guidance: Cian O’ Brien and Sara Greavu
Film production: Léann Herlihy
Photographs: photographer Niamh Barry, assistant Aoife McGrath, post-production Kalun Leung and Niamh Barry.
Website design: Léann Herlihy
Website contributions: Léann Herlihy and Gabriele Longega
Publication: text by Léann Herlihy, design by Kimberly Goes, printed by PlusPrint
Live performance: co-produced by Léann Herlihy and Matt Kennedy


A deep sense of love and appreciation to Matt Kennedy, Gabriele Longega, Kimberly Goes — thank you for unapologetically occupying space. An extended gratitude to those who helped through threads of support, guidance, proofing and dialogues; Cian O’ Brien, Sara Greavu, Niamh Barry, Aoife McGrath, Kalun Leung, German Ferreiroa, Roma Hardaker, Emma Wolf-Haugh, Michael Hill, Emma Áine O’ Leary, Colm Keady-Tabbal, Sarah Browne, Sara Muthi, LA Warman School of the Erotics as well as all of the fiery queers from QÉIRE.


Léann Herlihy is an artist and researcher based in Dublin. The methodological fulcrum of their practice pivots around academic studies in queer theory and feminist epistemologies which they utilise in tandem with live action, performance, video, sculpture and text. Pairing gestural action with in-depth research, their practice employs an emancipatory paradigm that actively destabilises gendered and sexualised dichotomies in an overtly heteronormative society.

Originally from Waterford, Léann Herlihy holds a MA in Gender Studies from University College Dublin and a BA in Sculpture, Performance and Spatial Awareness from the University of Arts Poznań, Poland. They were the artist-in-residence for Steak House Live Residency Programme, London [2020] and Assembly #2, Simiane-La-Rotonde, France [2019]. Solo exhibitions include the middle of nowhere, Project Arts Centre, Dublin [2022]; STUNTMAN, ]performance s p a c e[, London [2020]; Trojan Horse, STROBOSKOP Art Space, Warsaw [2019]. Select group exhibitions and festivals include Slow Sunday, Artsadmin, Toynbee Studios, London [2020]; Foreign Bodies, Zachęta National Gallery of Art, Warsaw [2019]; Biennale Warszawa, Mokotowska, Warsaw [2019]; ZABIH Performance Festival, Lviv, Ukraine [2019].

Léann Herlihy is currently supported by the Arts Council [Visual Arts Bursary 2021; Agility Award 2021] and Temple Bar Gallery + Studios [Project Studio 2021-2022].


the middle of nowhere was commissioned by Project Arts Centre and kindly supported by the Arts Council of Ireland’s Visual Arts Bursary and Carlow Arts Festival’s Wedge Fund.

The artist also wishes to acknowledge Temple Bar Gallery + Studios for providing an array of elements for an artist to truly thrive in their studio.

Project Arts Centre is proud to be supported by the Arts Council Ireland and Dublin City Council.

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