Exclusive previews and one-off experiences from just €5 a month
We look forward to your visit. Here's some information to help you plan your trip.
If you have any questions please do not hesitate to contact us on
“…the value is great and the crowd are cool It’s always a good way to spend a night”
Why not grab a drink
Our bar is open from 45 minutes before the start of our evening performances and stocks a large range of craft beers, spirits, wines and soft drinks – and keep an eye out for our drink of the month deals and seasonal special offers.
Beat the queue and book your drinks in advance. Interval drinks can be booked with when purchasing your tickets online or at Box Office.
The Box Office and Gallery are open Monday to Saturday from 11am to 6pm
We encourage you to arrive 20 minutes in advance of show time as, unfortunately, we cannot admit latecomers.
“My most favouritest place in Dublin to catch a performance… Fantastic location, great space, convenient bar upstairs.
Go now!” – Francoise, yelp.ie
How to find us
Project Arts Centre is located in the heart of Temple Bar, we’re the big blue building at the end of East Essex Street you can’t miss us. Easily accessible by public transport, here some info on how to find us.
ON FOOT: Project Arts Centre is a big blue building situated behind the Olympia Theatre and opposite the Clarence Hotel, next door to the Bad Bob’s.
BY BUS: Take any bus that runs to Dame Street and either enter Temple Bar via Parliament Street and take a right onto East Essex Street or enter Temple Bar via Eustace Street or Sycamore Street and take a left onto East Essex Street.
BY LUAS: Take the Red Luas Line to Jervis stop. Cross the River Liffey into Temple Bar using the Millennium Bridge. Take a right onto East Essex Street and Project Arts Centre is on the left hand side of the street.
BY BIKE: Cycle parking available, directly across the street from the venue.
A special €7 parking rate is available from Fleet Street car park, simply present your show ticket when paying to receive your reduced rate parking deal.
Project Arts Centre is completely accessible for wheelchair users. Please advise Box Office when booking if you require a wheelchair seat or have any special requirements.
Our two performance spaces are also fitted with the Loop system to assist those with hearing impairment.
There is wheelchair parking available approximately 100 metres away, across the street, directly outside the Clarence Hotel.
Audio-described performances are available on certain performances throughout the year. If you are interested in audio-described performances please let our Box Office team know so that we can notify you when we have the service available on upcoming shows.
Guide dogs are permitted to performances, please advise our Box Office if you intend to attend with a guide dog.
If you require any further information or assistance, please do not hesitate to contact our Box Office Team at firstname.lastname@example.org or call 01-8819613.
You can access our fast and free Wi-Fi network in the foyer.
June 17 2019, at 01:10pm
Project Arts Centre is powered by creative ideas, critical thinking and debate. Artists and audiences are often first to forecast the future – for good and for ill. As we look to our future in an uncertain world, which is leaning towards populism, tokenism, and right wing conservative politics, we want to engage in a conversation about contemporary Ireland and the arts. We want to peel back the skin to see how artists are faring and examine the ways in which our arts community can reflect, mediate, challenge and shape our collective fate. Where does our future lie? As part…Read More
May 14 2019, at 11:31am
Upcoming Artist Talk event from Emma Wolf Haugh around her ongoing research will be presented later this year. Date and Location TBC. This event will present the artists research towards new work from Haugh in 2020 Domestic Optimism begins with the work and continually expanding legacy of the Irish-born, self-taught, modernist architect and designer, Eileen Gray. A considerable amount of attention has been given to Gray’s work in recent years but, more often than not, the queerness inherent in her life and design is sidelined or ignored. I am interested in what comes to bear on the construction of legacy and what…Read More