Blackboxing: the isolation, acceptance and application of a body of knowledge outside of one’s comprehension.Brought together in the exhibition Blackboxing are a number of artists and intellectuals who have at the core of their practice a hunger for knowledge, and from whom this term has emerged.
If the term blackboxing means to accept a function or an application but not a method(ology), what is it – both scientifically and socially – that compels us to peer inside black-boxes ?Brought together in the exhibition Blackboxing are a number of artists and intellectuals who have at the core of their practice a hunger for knowledge, and from whom this term has emerged.Our open curiosity and defiance in the face of evidence has seen the term blackboxing expand from its origins in information technology. It has become a broadly compelling rallying point for those hoping to enable independence in an individual’s experience of fact, truth, absolute ideas and beliefs. By looking inside blackboxes, artists can activate discreet bodies of knowledge – finding concrete ways to address the increasing abstraction of complex mathematics and physics, and building back roads into politically unstable global scenarios where international reportage is diffused by popularising rhetoric and smoke-screens.
The mimicry, blind faith and increasing dependence on ever-more complex systems is changing the way we comprehend our world; although we slavishly attempt to regenerate our systems at the rate of development, we are at the same time loosening our conceptual grasps on the functioning realities of these systems and cornering ourselves into a state of acceptance.In an interview with artist Rene Gabri, theorist Manuel de Landa recalled his earlier experiments with code-writing, hacking and what he now refers to as blackboxing. Applying a technique widely used in everyday activity, he would copy a body of computer code which he knew to function a certain way into another system in order the replicate that function, yet utilise it towards a different end. As Bruno Latour explains, blackboxing accounts for the moment whereby ‘technical work is made invisible by its own success’.
Co-directors Peter Galison (USA), Pellegrino University Professor of the History of Science and of Physics at Harvard University and cinematographer Robb Moss’ (USA) trailer to their film Secrecy, explores the relationship between secrecy and security – ‘We live in a world where the production of secret knowledge dwarfs the production of open knowledge’. With the film ready for release in January of 2008, the trailer acts as another Pandora’s Box.
Bea McMahon’s (IRL) background in maths and mathematical physics is used to great effect to illustrate complex theories involving space and time. In a new film, Aether, two turtles attempt to understand the numerical relationships between their own, animated beings, and the coded figures displayed above them. McMahon introduces everyday signifiers such as car number plates in a didactic and humorous animation.
In Garrett Phelan’s Interruption. Or between two ITs (IRL) spray-painted black void looms over the gallery. Trapped in the dense blackness is an object for communication, a receiver, or nothing at all. In recent years Phelan has focussed his practice around extensive explorations into ‘the formation of opinion’ and ‘the absolute present’.
The Penrose non-periodic tile is the subject of Grace Weir’s (IRL) installation Endlessness (for Roger), and we are treated to the evidence of her own efforts to complete the unsolvable puzzle. It is a mathematical certainty that the repetition of these specific tiles will never result in a repeating pattern – while they may lock in together, which is in itself a formidable challenge – the closer one comes to solving the puzzle the closer they more they activate its futility. As Weir says – ‘is that not a portrait of the universe?‘.
Mick Wilson(IRL) splices together a number of disparate voices, asking what it is about their representation which causes them to evoke such irrefutable origins in our minds. In a sound work the various iterations of Hallelujah are cast adrift of their defining properties, while in a publication texts are compiled, speaking of a variety of different ideas – one of which is a proposition for a code of behaviour in interdisciplinary practice. While we sample other fields of knowledge, do we take care to understand the research that the knowledge is constructed from?
Mariana Castillo Deball (approx 20 mins)
The video of Mariana Castillo Deball, Blackboxing, brings together a number of incidences or characters in life and history, and also in an abstract field. The young Mexican artist will present a lecture furthering these observations of Blackboxing, focussing on a few instances which were not included in her video and also show a new film Nobody was tomorrow. This film will be also be screened in the Project foyer from DEC 1 – DEC 14.
Mick Wilson (approx 1 hour)
Eclectic Memorabilia: A Lover of Boredom – A presentation on rhetoric, bad faith and learning to be more disciplined. Over a number of years Mick Wilson has been compiling texts which relate to interdisciplinary art practice and research. Combining these texts with peculiar coincidences, Wilson will present a performative lecture which backgrounds his position as both an artist and academic.
Rene Gabri & Ayreen Anastas (approx 20 mins)
The artists Rene Gabri & Ayreen Anastas will open a discussion around their research in Palestine and Israel – and contextualise the artistic means at play in the series What Everybody Knows, the influence of Ilan Pappe and describe their 16 Beaver Group – operating between art and activism with collective projects.Followed by an open discussion with Bea McMahon, Garrett Phelan and Tessa Giblin, and concluded with a casual reception in the gallery. Peter Galison & Robb Moss will present a lecture at the screening of the full-length film Secrecy with Project Arts Centre in early 2008.
Mariana Castillo Deball (Mexico), L Budd Et Al. (New Zealand), Rene Gabri (Iran/USA) & Ayreen Anastas (Palestine), Peter Galison & Robb Moss (USA), Bea Mc Mahon (Ireland), Garrett Phelan (Ireland), Grace Weir (Ireland), Mick Wilson (Ireland)
Closed Sundays & Bank Holidays