Exclusive previews and one-off experiences from just €5 a month
Project Arts Centre presents
Dates: 22 Nov - 18 Jan
Exhibition Opening November 21
Anna Daučíková is an artist and teacher based in Prague. Following her graduation from the Academy of Fine Arts in Bratislava in 1978, she emigrated to Moscow (then the USSR) where she lived and worked for over a decade. In this period, she developed an extensive painting practice, as well as an interest in photography triggered by her encounters with feminist thinking. Returning to Bratislava in 1991, Daučíková co-founded the influential feminist journal Aspekt and her practice shifted towards video art and performance events, then widely organised across the Slovak art scene. The engagement of the artist’s body and bodily actions became the main concern in this video work, and in presenting a queer aesthetic.
Alongside her artistic work, Daučíková has been a co-founder and activist for several women NGOs, and a spokesperson for LGBT rights in Slovakia. Her academic career includes teaching positions at the Academy of Fine Arts and Design Bratislava and, since 2012, at the Academy of Fine Arts in Prague.
Since 1991, Daučíková has exhibited internationally at Medium Gallery (2018, Bratislava) FOR, The Neubauer Collegium for Culture and Society (with Assaf Evron, 2018, Chicago), State of Concept (2018, Athens), Documenta 14 (2017, Athens/Kassel), Politics of Gestures, House of Art (2017, Ústí nad Labem), FUTURA Centre for Contemporary Art (2016, Prague), Kiyv Biennial/School of Kyiv (2015), Manifesta 10 (2014, St. Petersburg), Good Girls, MNAC (2013, Bucharest), Gender Check – Femininity and Masculinity in the Art of Eastern Europe (2010), The Zachęta National Gallery of Art, Warsaw / MUMOK, Vienna), Ars Homo Erotica (2009, the National Museum, Warsaw), Kunst und Öffentlichkeit, 40 Jahre Neuer Berliner Kunstverein (2009, Berlin). She was the recipient of the Schering Stiftung Art Award 2018 with an upcoming exhibition at the KW Institute for Contemporary Art commencing in summer 2019. Her monograph A_NNA D_AUČÍKOV_Á – TRANS_FORMATION was published by the Slovak National Gallery, Bratislava in 2018.
Anna Daučíková has worked in a broad spectrum of media from glass, painting and drawing, to photography, conceptual photo-collage, performance, and video. Her first solo exhibition in Ireland will feature a selection of recent and older works including her video work Thirty three Situations (2017–2015) which she describes as ‘something between a police dossier, a medical history, and a sort of stigmatic script of the individual situations’ and which draws extensively from her private life experience in Soviet Russia. Informed by historical and political aspects of feminism, Anna Daučíková’s practice addresses issues around the conflicting aspects of normativity, the technologies of power, queer subjectivity and the politics of privacy.
Click for instant happiness.
Call the Box Office:+353 1 8819 613
Untitled1998, 1998, self-portrait series in progress, b&w photographs, 40×30.5 cm
Still from Thirty-Three Situations, 2007-2015, video SD, colour, sound, 108’56″
Garden Party, b&w photograph, 21×30.5 cm
Still from Along the Axis of Affinity, 2015, two-screen projection, HD video, colour, sound, 8’23”
Still from On Allomorphing, 2017, three-channel projection, HD video, colour, sound, 16’16”
All courtesy the artist.
June 17 2019, at 01:10pm
Project Arts Centre is powered by creative ideas, critical thinking and debate. Artists and audiences are often first to forecast the future – for good and for ill. As we look to our future in an uncertain world, which is leaning towards populism, tokenism, and right wing conservative politics, we want to engage in a conversation about contemporary Ireland and the arts. We want to peel back the skin to see how artists are faring and examine the ways in which our arts community can reflect, mediate, challenge and shape our collective fate. Where does our future lie? As part…Read More
May 14 2019, at 11:31am
Upcoming Artist Talk event from Emma Wolf Haugh around her ongoing research will be presented later this year. Date and Location TBC. This event will present the artists research towards new work from Haugh in 2020 Domestic Optimism begins with the work and continually expanding legacy of the Irish-born, self-taught, modernist architect and designer, Eileen Gray. A considerable amount of attention has been given to Gray’s work in recent years but, more often than not, the queerness inherent in her life and design is sidelined or ignored. I am interested in what comes to bear on the construction of legacy and what…Read More