Past Exhibitions, Events
Explore past exhibitions and events at Project. Our visual arts programme includes exhibitions, talks, performances, workshops, screenings and the ongoing research project Active Archive – Slow Institution.
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THE CHOIR
Exhibitions / 06 Oct 2006 - 04 Nov 2006 ADMISSION FREEIn 2003 Factotum, a Belfast based arts organisation, revived a choir that had been founded in the 1950's. To understand what they had reincarnated they started a two year process of collecting memories and artefacts of the choirs turbulent history. On the 6th October, following a performance by the current choir, the materials were presented in an exhibition for the first time.
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MAKE YOUR MOVE
Exhibitions / 11 Aug 2006 - 23 Sep 2006 ADMISSION FREE'Make Your Move' took place on five billboards throughout Dublin city, the locations where Project Arts Centre, Cuffe St., Essex Gate, Tara St and Townsend St the poster where installed in exactly the same manner as billboards.
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SARAH PIERCE
Exhibitions / 01 Jun 2006 - 31 Jul 2006 ADMISSION FREEThe Meaning of Greatness, a show by Sarah Pierce opened in the Project Arts Centre on 8th June, 2006. Pierce who is known for her discursive practice (The Metropolitan Complex) drew on her research to make an archive that will result in a re configuration of the gallery.
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BOJAN SARCEVIC
Exhibitions / 18 Apr 2006 - 13 May 2006 ADMISSION FREEIn response to an invitation to work with Project and The Model Arts and Niland Gallery, the artist Bojan Sarcevic proposed the following question - To what extent should an artist understand the implication of his or her findings?
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GENERAL IDEA
Exhibitions / 27 Jan 2006 - 18 Mar 2006 ADMISSION FREEProject was very proud to present the first Irish exhibition of the seminal Canadian artist's group General Idea (1968 - 1995) in January 2006. Established by AA Bronson, Felix Partz and Jorge Zontal, for almost thirty years this group worked with wit, theoretical sophistication and formal flair to critique and challenge the norms of both high and low culture - earning them a place within the cannon of the late 20th Century avant-garde.
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