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The Decameron / Na Deich Lá

Eva Richardson McCrea

14 Feb - 7 April

The image shows a scene of ten young people in a space decorated in a corporate, ’tasteful’ style. The colour palette is muted green and warm wood tones. They are in pairs or small groups talking and there is food and drink visible around them, including cups, plates and bottles on a pool table and ping pong table in the foreground.

The Decameron / Na Deich Lá departs from Giovanni Boccaccio’s 14th century book of short stories. Set within a frame story wherein ten young people flee to a villa outside Florence in order to escape the Black Death pandemic, it takes place over the course of ten days and ten nights, during which they eat, play games, sing, play music and tell stories to pass the time.

In this new work, the ten protagonists and frame story are relocated to a contemporary ‘co-living’ development where they ‘live, work and play’ together. Aimed at a young, affluent and globally transient workforce, co-living developments function to normalise housing crises in an age of loneliness by redefining the concept of home and living. Through focusing on experience and convenience over space and privacy, living becomes a service that is provided and the concept of a stable home is replaced by home as a subscription.

The Decameron / Na Deich Lá was made covertly while the artist stayed as a resident at a co-living development, and the characters and plot lines were developed through a series of Character-Based Improvisation workshops. The ten protagonists move from room to room, engaging with props and each other within the improvised set of the development’s spaces. Shot on site and entirely on iPhone, the work combines scripted and contingent elements and draws on a range of motifs, themes and tropes from literature, television, theatre, self-help guides, social media and advertising, among other sources.

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Eva Richardson McCrea lives and works in Dublin and Berlin. Working across video, sculpture and photography, her practice takes specific sites as points of departure into exploring the politics of the built environment and relations between architecture and daily life in the production of contemporary subjectivities. Borrowing from conventions of television, documentary, cinema and theatre, her work draws on a range of source material, from philosophy and current affairs to the language of advertising and aspirational living. Her work has been screened in galleries and institutions Internationally including The Aldrich Museum of Contemporary Art (Connecticut), Composite (Melbourne), Löwengasse, (Cologne) and CCA, Glasgow. Her work is included in the Arts Council of Ireland National Collection.

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Better Things to Believe: On Eva Richardson McCea’s The Decameron / Na Deich Lá

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Dates

14 Feb - 7 April

Opening: 13 Feb 6 - 8pm (Kindly supported by Febvre Wines)

Gallery opening times

10am - 6pm (Closed Sundays)

The film will screen on a 70-minute, timed schedule throughout the day with a running time of 66 minutes, at 11:00; 12:10; 13:20; 14:30; 15:40; 16:50.

Tickets

Free to attend

Genres

ExhibitionsVisual Art

Gallery Gallery

https://vimeo.com/
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