A roundtable discussion and masterclass for composers at any career stage facilitated by Natacha Diels (USA)
Renowned American composer Natacha Diels will lead a roundtable discussion and shared masterclass with eight composers at the Cube Space, Project Arts Centre. Composers will have an opportunity to present and discuss their work in a friendly and supportive discussion with analysis and group contributions.
Composers of any career stage are invited to bring works for any forces in any format for presentation and discussion.
Participation: This workshop is intended for composers at any career stage who are interested in presenting, sharing and discussing their works with colleagues. Participation will be limited to a maximum of eight composers.
This event is supported by the Contemporary Music Centre, Dublin.
Natacha’s compositions have been described as “a fairy tale for a fractured world” (Music We Care About) and “the liveliest music of the evening” (LA Review of Books).
You can find the latest information about Project’s accessibility here. Please do not hesitate to contact us at firstname.lastname@example.org or call 01 8819 613.
Artistic Director: Fergal Dowling
Audio production, Studio4 Lighting: Eoin Lennon
PR: Conleth Teevan
Social Media : Aoife Browne
Natacha Diels’ work combines choreographed movement, improvisation, video, instrumental practice, and cynical play to create worlds of curiosity and unease. Recent work includes Papillon and the Dancing Cranes, for construction cranes and giant butterfly (Borealis Festival 2018); and forthcoming is a 6-part TV-style miniseries with the JACK quartet (TimeSpans Festival 2020) and a collaborative work for shadowed audience with Ensemble Pamplemousse (Darmstadt 2020).
Natacha is a founding member of the composer/performer collective Ensemble Pamplemousse (est. 2003). Pamplemousse specializes in unique aspects of new music composition, from complex virtuosic instrumental performance to experimental theatre to electronic and robotic performance.
Notable commissions include those from Borealis Festival for the aforementioned crane opera; the Fromm Foundation for an upcoming work for Talea Ensemble (2021); Nadar Ensemble for Darmstadt International Summer Institute [performed installation: I Love Myself Fully and Unconditionally] (2018); the Los Angeles Philharmonic for the green Umbrella Series [Laughing to Forget] (2018); and Deustchland Radio Kultur in Berlin for Ensemble Adapter [Sad Music for Lonely People] (2019). Other major activities include being chosen as artist-in-residence for Harvestworks in partnership with MATA festival (summer 2019) and a release by Ensemble Pamplemousse (Lost at Sea, TAK Editions 2019).
Natacha’s work has been performed globally by Ensemble Adapter, Ensemble Intercontemporain, Nadar Ensemble, hand werk, Ensemble Decoder, TAK Ensemble, Quatuor Impact, JACK Quartet; and soloists Jay Campbell, Laura Cocks, Samuel Favre, Ross Karre, Rane Moore, and Charlotte Mundy, among others. She has created several short films and music videos which have been screened in Denmark, NYC, Chicago, Budapest, and Hungary.
‘Dublin Sound Lab is doing an important job for those in Ireland who remain passionate about music in the post-war avant-garde lineage and who rarely get the opportunity to hear such ‘difficult’ music performed… …flying the flag in Ireland over the past decade for European modernism.’ Liam Cagney, Journal of Music, June 2016
‘One of the pleasures of Music Current is the subtlety and sophistication of the sonic manipulation.’ Michael Dervan, Irish Times, 3 May 2017
‘One of the finest electroacoustic ensembles on the island at present, Dublin Sound Lab.’ Bernard Clarke, Nova, RTÉ Lyric FM, 26 May 2013
‘Where we are at musically these days in terms of technology’ Liam Cagney, Musical Criticism, December 2009
Supported by the Arts Council, Art Mentor Foundation Lucerne, MidAtlantic Arts Foundation, Contemporary Music Centre, Goethe Institute & IMRO