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We’re Ireland’s leading centre for the development and presentation of contemporary art, across all forms of the performing and visual arts. The ‘Big Blue Building’ offers a huge variety of events and with a packed year round programme there’s plenty to fuel your imagination.
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Sandra Johnston: Wait it Out
Gallery
Exhibitions/ 29 Aug - 17 Oct
€0 (Free Admission)
This solo exhibition with newly commissioned video work of Sandra Johnston at Project commences in late August and partly revisits her time spent in Dublin during the late 1990s. As an emerging artist
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SOLO EXHIBITION: Anna Daučíková
Gallery
Exhibitions/ 22 Nov - 18 Jan
Free Admission
Anna Daučíková’s practice addresses issues around the conflicting aspects of normativity, the technologies of power, queer subjectivity and the politics of privacy.
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Latest From the Newsroom
Open Call: Future Forecast Curator
June 17 2019, at 01:10pm
Project Arts Centre is powered by creative ideas, critical thinking and debate. Artists and audiences are often first to forecast the future – for good and for ill. As we look to our future in an uncertain world, which is leaning towards populism, tokenism, and right wing conservative politics, we want to engage in a conversation about contemporary Ireland and the arts. We want to peel back the skin to see how artists are faring and examine the ways in which our arts community can reflect, mediate, challenge and shape our collective fate. Where does our future lie? As part…
Read MoreEmma Wolf Haugh Research Project: Domestic Optimism - A queer, working class, post-colonial critique of architectural modernism
May 14 2019, at 11:31am
Upcoming Artist Talk event from Emma Wolf Haugh around her ongoing research will be presented later this year. Date and Location TBC. This event will present the artists research towards new work from Haugh in 2020 Domestic Optimism begins with the work and continually expanding legacy of the Irish-born, self-taught, modernist architect and designer, Eileen Gray. A considerable amount of attention has been given to Gray’s work in recent years but, more often than not, the queerness inherent in her life and design is sidelined or ignored. I am interested in what comes to bear on the construction of legacy and what…
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