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Born into poverty in an isolated village in rural France, a boy grows up amongst hard men and women living hard and violent lives. Bullied relentlessly for being gay, this is the story of Eddy’s struggle to understand who he is, who he might become, and of his fight to escape.

Inviting you on a virtual trip through time, the starting point for which is the imagined opening of a time capsule found in 2109. The capsule contains a collection of stories documenting its creators’ changing neighbourhood, a film record of their own private universe. There are also instructions included, a set of possibilities for how the stories can be pieced together for the audience.

Opening with this tantalising directive, Samuel Beckett’s Company reads almost as an experiment into the notion of being itself. This is an intensely moving and lyrical work, which interrogates the truthfulness of memory and finds company in the haunting sculpture of, ‘one on his back, in the dark’.

Winner of a Scotsman Fringe First Award at Edinburgh Fringe 2017, From Iranian playwright Nassim Soleimanpour comes an audacious new theatrical experiment. Each night a different performer joins the playwright on stage, while the script waits unseen in a sealed box…

A new adaptation of Colm Tóibín’s piercing novel about broken family, making a family of your own and the cost of caring for each other. It’s 90s Ireland and AIDS is still a life sentence. A sister, a mother and a grandmother, along with two gay friends, have come together to tend to 29-year-old Declan.

From Collapsing Horse, Dance Plague is about bodies, autonomy, rebellion, wildness, animalistic abandon, losing yourself and losing self consciousness. It’s about music and the brain, it’s about the body as captivated and limited by our culture, and the sudden violent schism that sets it free.