Upcoming Events

Dive into our programme.
Choose from theatre, music, dance, visual arts and everything in between.

Running + Walking in the Phoenix Park by Martin Sharry

Theatre / 12 Sep 2018 - 22 Sep 2018 12 Cube
A man is running for his life. Running helps the brain to regenerate. Over time, he forgets himself. He grows more interested in the trees, the history, the life of the park. A conversation with a horse chestnut reveals the nature of healthy being.
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Seahorse by Christiane O'Mahony & For the Birds

Theatre / 18 Sep 2018 - 22 Sep 2018 15/13 Cube
At 35, Mara is an overqualified underachiever. She works part time in an aquarium, eats ice-cream for breakfast and likes ticking 'single' on forms. A surreal underwater experience about trying to be grown-up and wishing you were seahorse.
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Susie and the Story Shredder by Bombinate Theatre

Theatre / 08 Sep 2018 - 16 Sep 2018 12/8 Cube
King Levi says that stories make your brain go fuzzy and your hands turn green. All stories are banned in the Kingdom of Levitas. It’s Susie and Shredder’s job to enforce the King’s law, shredding stories from dusk ‘til dawn
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Cock, Cock.. Who’s There? by Samira Elagoz

Theatre / 14 Sep 2018 - 15 Sep 2018 14-16 Space Upstairs
An award-winning performance about violence and intimacy. Samira Elagoz takes us along on her personal research project across three continents. From online platforms to close encounters, she showcases gender relations in all their brutal and wonderful ambivalence.
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Everything I Do by One Two One Two

Theatre / 07 Sep 2018 - 15 Sep 2018 15/13 Cube
Accompanied by her guitar, a hysterical pop singer riffs on love in a lonely universe. She’s attempting heartfelt communication with a room full of strangers. It’s a solo exploration of co-dependency. A live action album of original pop songs from Zoe Ní Riordáin, powered by a need to express the inexpressible.
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Oneday by Dick Walsh and James Moran

Theatre / 08 Sep 2018 - 15 Sep 2018 15/13 Cube
Dick Walsh and James Moran are staging news articles published on 13th March 2012. Or in other words, they're examining a dying media using a dead artform.
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