Past Exhibitions, Events

Explore past exhibitions and events at Project. Our visual arts programme includes exhibitions, talks, performances, workshops, screenings and the ongoing research project Active Archive – Slow Institution.

PANTO COLLAPSAR

Exhibitions / 27 Jan 2012
‘An exploded and bewitched house with a floating roof’ – this is how Australian artist Mikala Dwyer describes her solo exhibition, an exhibition that marks the first time her work will be shown in Ireland. Dwyer ascribes deep symbolic meaning to the objects and artifacts she works with, evoking them as spiritual signifiers and using them to herald a community.
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THE LAST OF THE RED WINE (THE PREQUEL/SEQUEL)

Exhibitions / 11 Nov 2011 ADMISSION FREE
Early in 2011 an unlikely group of artists, comedians and writers worked together on The Last of the Red Wine, a radio sitcom set in the artworld. Used to being the subject of their own work, the collaborators instead cast themselves in a collective farce, written and performed in the course of one week.
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NOTES ON THE MISSING OH

Exhibitions / 02 Sep 2011 - 30 Oct 2011 ADMISSION FREE
A portrait of a country, a man, a landscape and of the story of an orphaned Hollywood movie.
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MONDEGREEN

Exhibitions / 07 Jul 2011 - 20 Aug 2011 ADMISSION FREE
Project Arts Centre presents a new collaborative project between artists Geoffrey Farmer and Jeremy Millar. Mondegreen is a unique collaborative experiment between two highly regarded international artists.
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SECOND BURIAL AT LE BLANC

Exhibitions / 05 May 2011 - 25 Jun 2011 ADMISSION FREE
Sarah Browne’s new film installation Second Burial at Le Blanc focuses on the small French town of Le Blanc, where a coalition of local artisans and shopkeepers have created one of the last refuges for indigenous currencies.
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THINGS

Exhibitions / 10 Mar 2011 - 23 Apr 2011 ADMISSION FREE
Things (2009) is a mesmerising aesthetic experience, and with longer exposure, one’s idea of a landscape of art begins to shift into a topography of art. Things maps not only the form and aesthetics you encounter through the visual and aural landscape, but also reveals the underlying structure – the topography of the white cube, the intrinsically flawed protocol of presentation, and conventions of spectatorship.
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