Exclusive previews and one-off experiences from just €5 a month
Project Arts Centre presents
Dates: 17 Sep - 14 Jan
Dancers in the mindless hands of bickering channel surfers. From a back stage screen two elderly “couch potatoes” zap from programme to programme, vainly searching to settle on something to stave off their boredom. From football to commercials, graphic news to trite talk shows, love stories to fictional horror their choices collide in an antagonistic personal duel. At the command of the remote control four dancers take on the life of the programmes, switching this way and that with lightning virtuosity and great technical skill. This is a playful, ironic comment on the real and the virtual.
Helene Weinzierl danced for Rosas, Bruno Genty and Robert Bexler before founding Compagnie Laroque in 1995.
Irish Theatre Magazine Fringe reviews online
Dublin Fringe Festival
Click for instant happiness.
Call the Box Office:+353 1 8819 613
February 10 2020, at 05:04pm
Project Arts Centre is delighted to announce the appointment of a new Marketing, Communications & Engagement team. We are delighted to welcome Veronica Dyas (Access & Engagement Officer), Sorcha FitzGerald (Marketing & Communications Officer) and Astrid Newman (Marketing & Communications Officer) to the Project family. The team will work to further develop audiences and grow opportunities for engagement across our busy performance and visual arts programmes. Welcome to the big blue building! Veronica Dyas joins the team in the brand new position of part-time Access & Engagement Officer. Veronica is an artist working through theatre, new text & installation. Facilitation, Action & LOVE…Read More
February 03 2020, at 05:51pm
This month critically acclaimed choreographer Philip Connaughton brings his beautiful, sparkling, laugh-out-loud meditation on the fear of forgetting and of being forgotten to Cork and Dublin venues. Mamafesta Memorialising, which enjoyed its successful international premiere in France last year, is woven from inspirations including musical theatre, Bruce Forsythe’s Generation Game and most importantly, Philip’s mum Madeleine, who has senile dementia. Philip made his last piece, Assisted Solo, about her. But it wasn’t enough. He still has more to do and more to say. He’s worried that what’s happening to her will happen to him. His latest testimony to an ever-evolving,…Read More