Exclusive previews and one-off experiences from just €5 a month
Dates: 01 Feb - 11 Feb
Part of Dublin City Council’s Chinese New Year Festival, Track is a site-specific performance which takes you on a journey into the heart of intercultural Dublin.
Using audio technology and live performance Track offers an insight into life in an ever-changing city from the point of view of members of the Chinese community. The stories of the ‘new Dubliners’ are played out in a language of sights and sounds. Brokentalkers would like your company on this walking tour of Dublin. As places are limited early booking is essential Commissioned by Project Arts Centre
Irish Press Reviews
“An eloquent and life-affirming performance devised to help bridge the gaps between Dublin’s rainbow of cultures. And succeeds.” *****
“An utterly charming piece. Full of magical moments.”
“the piece makes a bold attempt to re-imagine the city we have just navigated from inspiring and troubling angles.”
Irish Theatre Magazine
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February 10 2020, at 05:04pm
Project Arts Centre is delighted to announce the appointment of a new Marketing, Communications & Engagement team. We are delighted to welcome Veronica Dyas (Access & Engagement Officer), Sorcha FitzGerald (Marketing & Communications Officer) and Astrid Newman (Marketing & Communications Officer) to the Project family. The team will work to further develop audiences and grow opportunities for engagement across our busy performance and visual arts programmes. Welcome to the big blue building! Veronica Dyas joins the team in the brand new position of part-time Access & Engagement Officer. Veronica is an artist working through theatre, new text & installation. Facilitation, Action & LOVE…Read More
February 03 2020, at 05:51pm
This month critically acclaimed choreographer Philip Connaughton brings his beautiful, sparkling, laugh-out-loud meditation on the fear of forgetting and of being forgotten to Cork and Dublin venues. Mamafesta Memorialising, which enjoyed its successful international premiere in France last year, is woven from inspirations including musical theatre, Bruce Forsythe’s Generation Game and most importantly, Philip’s mum Madeleine, who has senile dementia. Philip made his last piece, Assisted Solo, about her. But it wasn’t enough. He still has more to do and more to say. He’s worried that what’s happening to her will happen to him. His latest testimony to an ever-evolving,…Read More