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Live Collision present
Dates: 05 Dec - 05 Dec
Show Time: 5pm
Tickets: €0.00 (Free)
The works of interdisciplinary artist Kira O’Reilly use the uncertain boundaries of bodies as the starting point for their enquiry.
Specifically, O’Reilly asks what kind of societies become possible in collaborations across species, organisms and bodies, and she explores these questions through sustained and experimental engagements with politics, biopolitics, change (social, corporeal, chemical, reactive) and the complex relations between the human and the non-human.
Kira O’Reilly: Untitled (Bodies), edited by Harriet Curtis and Martin Hargreaves, is the first book to offer an in-depth engagement with her many works across diverse formats.
Bringing together writings by major artists and thinkers, such as Marina Abramovic, Shannon Bell and Tracey Warr, alongside extensive documentation of the artist’s work from two decades of practice, the contributions engage with such topics as ideas of performance, feminist political aesthetics, biotechnical practices, image-making and the intersections of humans and animals.
The book also includes interviews, archive material and O’Reilly’s own writings.
Speakers will include Kira O’Reilly (Artist), Harriet Curtis (Editor), Fergus Byrne (Artist), Amanda Coogan (Artist) and others to be announced soon.
Live Collision and Live Arts Development Agency – LADA join forces to launch this publication with Project Arts Centre, Dublin. Other launches will take place at Tiedekulma / Think Corner, Helsinki and at Barts Pathology Museum (part of Queen Mary University of London), London.
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Harriet Curtis is a teaching fellow in performance studies and liberal arts at King’s College London.
Martin Hargreaves is a writer, dramaturg and performer.
Co-published by the Live Art Development Agency and Intellect Books, as part of the Intellect Live book series.
The publication is supported by King’s College London, Queen Mary University of London, CAPP (Collaborative Arts Partnership Programme), the Live Art Development Agency and Arts Council England.
April 20 2018, at 03:34pm
We are painting over the Maser Mural (again). The Charities Regulator has informed Project Arts Centre that the display of Maser’s ‘Repeal the 8th’ artwork is ‘political activity’ and that we are therefore in breach of the Charities Act 2009 and not in line with our ‘charitable purpose’. Should the artwork not be removed, we risk losing our charitable status. Project Arts Centre respects the authority of the Charities Regulator and will comply with their order to remove Maser’s artwork. Fiona Slevin, Chair of Project Arts Centre said: “The Board and executive of Project are conscious of their obligations…Read More
April 10 2018, at 10:29am
Since it was founded in 1966, Project Arts Centre has always placed the vision and freedom of expression of the artist at the centre of our work. We believe that all art is, in some way or other, indelibly political because it relates to the workings of the society from which it emerges. This artwork by Maser was first programmed at Project Arts Centre in July 2016 and was removed due to planning legislation. According to The Planning & Development Regulations 2001, Schedule 2, Part 2, Exempted Developments, Class 14, the mural is not subject to planning permission in the…Read More