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Dates: 18 Apr - 05 May
Attempts to describe her?
Attempts to destroy her?
Or attempts to destroy herself?
Is Anne the object of violence?
Or its terrifying practiitioner?
Through the course of seventeen distinct but interconnected scenarios, a group of unnamed characters try to piece together the identity of the mysterious Anne. Martin Crimp’s 1997 play brings us on a whistle-stop journey through the emotional and political landscapes of our time, taking in art, surveillance, pornography, terrorism, genocide and globalisation along the way.
‘…a manifesto for the future of theatre as well as a chillingly well observed consideration of the soullessness of modern human existence in a consumerist culture’ The Guardian
Director TOM CREED
Lighting SINÉAD MCKENNA
Set & Costume CONOR MURPHY
Composer DENIS CLOHESSY
Choreographer REBECCA WALTER Cast
KATHY KIERA CLARKE, PETER DALY, RUTH HEGARTY, DARRAGH KELLY, HILARY O’SHAUGHNESSY, RORY NOLAN
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February 10 2020, at 05:04pm
Project Arts Centre is delighted to announce the appointment of a new Marketing, Communications & Engagement team. We are delighted to welcome Veronica Dyas (Access & Engagement Officer), Sorcha FitzGerald (Marketing & Communications Officer) and Astrid Newman (Marketing & Communications Officer) to the Project family. The team will work to further develop audiences and grow opportunities for engagement across our busy performance and visual arts programmes. Welcome to the big blue building! Veronica Dyas joins the team in the brand new position of part-time Access & Engagement Officer. Veronica is an artist working through theatre, new text & installation. Facilitation, Action & LOVE…Read More
February 03 2020, at 05:51pm
This month critically acclaimed choreographer Philip Connaughton brings his beautiful, sparkling, laugh-out-loud meditation on the fear of forgetting and of being forgotten to Cork and Dublin venues. Mamafesta Memorialising, which enjoyed its successful international premiere in France last year, is woven from inspirations including musical theatre, Bruce Forsythe’s Generation Game and most importantly, Philip’s mum Madeleine, who has senile dementia. Philip made his last piece, Assisted Solo, about her. But it wasn’t enough. He still has more to do and more to say. He’s worried that what’s happening to her will happen to him. His latest testimony to an ever-evolving,…Read More