I place myself at the mercy of the kindness of strangers and seek to find balance on the spreadsheet of ...

Rachael Young and her badass band of super-humans embrace Afrofuturism and the cult of Grace Jones in NIGHTCLUBBING; an explosive new performance bringing visceral live music and intergalactic visions to start a revolution.

PLEASE NOTE THIS EVENT TAKES PLACE AT THE CHOCOLATE FACTORY A work in-development What they did back then? When? Then? ...

As part of her research into becoming a bona fide post-racial, global citizen Sonia Hughes wants to find out what it would be like if she was from Dublin.She wants to meet individuals a little like her from the city who can show her how her life could be.

A curated selection of Short Reads from LADA available to all those attending Project Arts Centre. This year we will host a selection of short reads from the Study Room to celebrate the evolution of Live Art and to mark LADA’s 20th anniversary and Live Collision’s 10th festival edition - with particular focus on issues of race, migration and displacement.

Irish artists and companies have limited opportunities to *Scratch live work, and Irish audiences have limited opportunities to engage in live processes ahead of final works. Therefore, Live Collision has curated a selection of companies to present as part of BITE SIZE // SCRATCH.

It's back! Live Collision is an annual curated international festival of Live Art, and Ireland’s first independent year-round Creative Producer + Art Director working with exceptional artists across and between art-forms. Live Collision carves a space to redefine the ways artists can create, engage & collide through live performance & digital platforms, and generate fresh new experiences for audiences.

Live Collision has partnered with Berlin Opticians Gallery to co-present this once off event. ‘No Feeling Is Final’ is an interdisciplinary experiment inclusive of two new paintings by Lee Welch created for LCIF2019, and existing artworks by Liliane Puthod.

Responding to the meaninglessness and repetition of empty political promise, the privilege of the governmental elite and the deep discontent of an increasingly disproportionate and divided society, this work is part protest, part catharsis, part exorcism.

Oisín moved to London to pursue his dream of becoming socially mobile. Now, he is having an existential crisis in a Pret A Manger toilet, trying to remember his mindfulness techniques.